Is ‘Race’ the Movie- A Good Representation of Race in Media-
Is the movie “Race” good representation in media?
In the age of diverse representation in media, it is crucial to assess whether films accurately depict the experiences and struggles of various communities. “Race,” a 2016 biographical sports drama film, centers around the life of Jesse Owens, an African American track and field athlete who won four gold medals at the 1936 Berlin Olympics. This article aims to explore whether “Race” serves as a good representation in media, highlighting its strengths and potential areas for improvement.
The film’s portrayal of Jesse Owens’ life is commendable in several aspects. Firstly, it presents a balanced view of Owens’ achievements and personal challenges. Director Stephen Hopkins skillfully showcases the oppressive racial climate of the 1930s, which is evident in the scenes depicting segregation and discrimination faced by Owens and his fellow African American athletes. This representation emphasizes the historical context and the significance of Owens’ triumphs.
Moreover, the casting choices in “Race” are commendable. Stephan James delivers a powerful performance as Jesse Owens, capturing the essence of the athlete’s determination and resilience. The supporting cast, including Jason Sudeikis as Coach Larry Snyder and Carice van Houten as Eva Kogel, also deliver impressive performances that contribute to the film’s authenticity. The diverse casting reflects the international nature of the 1936 Olympics and adds to the film’s credibility.
However, “Race” is not without its flaws when it comes to representation in media. One of the most significant drawbacks is the limited exploration of Owens’ personal life. The film primarily focuses on his athletic career and the events leading up to the Olympics, leaving viewers with a narrow understanding of his life outside the track. This oversight diminishes the complexity of his character and the full extent of his struggles as an African American in a racially divided society.
Additionally, while the film does address the racial tensions of the time, it could have delved deeper into the broader implications of Owens’ achievements. For instance, his victories in Berlin served as a powerful symbol of hope and unity amidst the rise of fascism and racial tensions in Europe. By highlighting these aspects, “Race” could have offered a more comprehensive representation of Owens’ legacy.
In conclusion, “Race” serves as a decent representation in media, particularly in terms of showcasing the historical context and the challenges faced by Jesse Owens. The film’s strong performances and attention to detail in depicting the racial climate of the 1930s are commendable. However, there is room for improvement, particularly in exploring the broader implications of Owens’ achievements and his personal life. While “Race” is not a perfect representation, it is a valuable contribution to the discourse on diversity and representation in film.